Life Inside a Novel Under Revision

Deja vu in a novel

Editors know all about flow. If you get that déjà vu feeling, it’s just someone re-arranging your life so that it reads better.

Recently, I wrote the first two chapters of the sequel to An Ember in the Wind, The Wisdom Machine. Just what happened to John and Sheridan? Find out–soon!

In the meantime, I realized I had some extra books sitting around. So, I opened up an Amazon seller account. For a limited time, you can pick a copy up directly from North Carolina! I dropped the prices, so if you’ve been missing out, I’m running a pretty good deal. 😉

Check out A Foundation in Wisdom and An Ember in the Wind!

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Also, if you’re looking for something to kill a few minutes waiting in line, why not check out WordMutation, the word-version of Permutation? Available for iOS + Android-based devices.

WordMutation screenshot

WordMutation

Merciless with Words

Fordham Forest { Full View }

Fordham Forest { Full View }

 

Nanowrimo has officially started, and my word count currently sits at zero. Of course, I’m not participating anyway, so pfft. Rather, I’m still tying up the loose ends of An Ember in the Wind – and by that I mean working my inner editor into the wee hours of the morning.

I use bits and pieces of the “Nanowrimo approach” to writing a first draft, mainly in the “ignoring the inner editor” aspect. The problem with this is that I’ve spent so long shooing it away that when I want it to come back, it behaves like a frightened squirrel, running at the first drop of a pin.

The little voice that was all too pronounced when it wasn’t needed has hardly a peep to say now.

I’m willing to say it is not fatigue. I took a few weeks off after I finished the first draft. Maybe more would’ve been in order, but I felt ready to dive back in when I did.

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Perhaps it is rather the age of the project. Ember is going on seven years old, although some pieces are much older. And all the original lines are in full view.

A technical note: Most people use word processors to write. I use LaTeX, which compiles the document from a source file. One handy feature is that I can easily comment lines out, so that even if they’re not visible in the document output, they’re still visible in the source. The problem with that is I’m constantly starting at a seven-year history consisting of minor changes up through complete revamps of the plot and characters.

It’s not a distraction. There’s a constant reminder there’s a history to each word and sentence – the last sort of thing you’d want lurking when it’s time to bring out the word-chopping axe. And I mean “constant reminder” literally. It’s right there in the comments, “I wrote this paragraph in Buxton, NC.”

I’m not sure why I thought I’d want to know that several years later. It’s fun to read through the comments, though. I’m sure once I’m done revising, I’ll be glad they’re there – it’s why I haven’t deleted them.

In the meantime, I suppose it’s time to get merciless with my words.

Fun fact: What do Sheridan, Mingo, Elm, Peoria, Aspen, and Utica all have in common, besides being characters in A Foundation in Wisdom?

They’re all streets in Tulsa, OK.